Tempest In A Typepot

Blue Oregon’s Kari Chisholm really ought to leave questions about design and copyright issues to the professionals, because his “a-ha” about the Gordon Smith campaign using the same typeface as the University of Oregon athletic department is mind-blowingly mis-informed.

Not only is it untrue that a typeface can be copyrighted, but the font the athletic department uses appears to be derived from Handel, a font that’s been around for a while. It substitutes modified lower-case versions of the characters for some of the upper-case characters, despite claims from Duck Sports News that it’s a closely-held super-secret font.

I spent many hours matching fonts in the early ’90s, in order to build electronic versions of traditionally-developed logos, but Nate Currie — one of the commenters at Blue Oregon — already did that. So let me focus on the actual build of the logo. Here’s the progression.

The original version of Gordon Smith’s logo:

A digital sample of ITC Handel Gothic Heavy from Fonts.com:

Three stages of the bitmapped characters:

  1. Direct screen capture from the Fonts.com page.
  2. Moving the “m” so that the crossbar matches the height of the capitals and extending the stems.
  3. Widening the space in the “m”, and replacing the “N” with a modified “m”.

Each of the names anamorphically stretched to fit over the logo.

Not an exact fit, because I didn’t want to take more than a few minutes to do it — I’m not about to spend any time defending Gordon Smith — but this is truly a non-story.

Hopefully, Jeff Merkley’s web guy has some better material to work with than this.